THE THIRD FLOOR

The Third Floor is proud to share the official trailer for Predator: Killer of Killers—marking a major milestone as our first fully animated final film!

From concept to carnage, our phenomenal animation team poured everything into crafting this bloody visceral thrill ride. Enormous thanks to Dan Trachtenberg and the whole creative crew for trusting us to help hunt down something truly unforgettable. And a special shout out to TTF’s very own Josh Wassung for co-directing alongside Dan! From previs to final animation, this has been a killer journey—and it’s only just begun. Streaming June 6 on Hulu.

Check out these featured articles about Predator: Killer of Killers:

https://www.gamesradar.com/entertainment/sci-fi-movies/a-surprise-new-predator-animated-movie-is-releasing-very-soon-as-its-director-talks-arcane-inspiration-and-bringing-hard-r-crazy-carnage-to-predator-killer-of-killers/

https://collider.com/predator-killer-of-killers-teaser-images-release-date/

https://www.empireonline.com/movies/news/predator-killer-of-killers-trailer-teases-yautja-battles-across-the-ages-in-animated-anthology-film/

Godzilla x Kong: The New Empire Reel

See how careful previs choreography and faithful execution to the highest artistic standard made The Third Floor and Wētā FX collaboration on Godzilla X Kong: The New Empire a visual feast on an unprecedented scale!

Ben Stiller & Adam Scott Break Down ‘Severance’ Season 2 Opening Scene | Vanity Fair

Diving into the surreal world of Severance Season 2 – TTF provided previs and techvis for this thrilling, iconic opening scene, working with a bolt rig to help map out precise movements. Thrilled to help bring this vision to life!

Check out the newest update of Cyclops, now available from the Apple App Store including impressive new features and lots of improvements and fixes! Here are some highlights:

Image Contsraints
Now you can arrange and manipulate 3D assets live, via a constraint to a physical image. As you move a printout of that specific image in the real-world, your constrained 3D assets will follow along inside Cyclops! You could even use this approach to maintain digital characters’ eyelines, and multiple assets can be constrained to different images at the same time.

Image Anchors
Physical printed images can also be used to save & load the relationship between your real set or location and your CG set top-up. Use the Image to store the lineup and then load it when you are ready to have your CG extension in the correct place in the real-world.

Top Camera
Navigate your large scenes with a Top Camera View (aka Plan View). The Top Camera works as a Picture-in-Picture view on-top of your main viewport. Choose between perspective and orthographic cameras. Adjust size, zoom, height, rotation, and more.

AND MORE…

Asset Constraints
Cyclops assets can also be constrained to other assets or the viewport. All constraints have a built-in offset. Choose between a Parent Constraint or an Aim Constraint and simply select which axes to constrain.

UI Improvements for iPhone
We’ve made lots of improvements to the UI scaling and fitting when using Cyclops on an iPhone. With particular improvements to the Media Review panel. Cyclops is now easier and more comfortable to use on smaller screens.

New Office Updates

TTF Atlanta has moved into a new and improved office! We’re thrilled to create a “Tech Hub” with Trilith Studios bringing tech innovators, filmmakers and content creators together.

TTF London has also upgraded their office space! Still in the heart of Fitzrovia, we’ve got the same top-tier bespoke facilities you love—including Avid edit suites and our virtual production workshop—now in a setup that’s even better for creativity and collaboration!

New world, deep stakes! TTF was proud to provide visualization for The Gorge, bringing high-octane action, intense thrills, and the mysteries lurking beneath the surface to life. Stream it on Apple TV+!

TTF was proud to provide visualization for Captain America: Brave New World, bringing heroics, high-flying action, and pulse-pounding battles to life! See it in theaters today.

Blinded but never broken. The Third Floor is proud to have provided visualization for Daredevil: Born Again, helping shape the action, intensity, and cinematic storytelling of the new Disney+ series. Stream it today!

GDC 2025, here we come! The Third Floor is heading to the Game Developers Conference to talk all things visualization, tech, and storytelling. Hope to see you there!

Electric State
March 14 on Netflix

We have created an e-mail alias to allow anyone and everyone to e-mail suggestions/comments/thoughts regarding TTF. Please send your e-mails to suggestions@thethirdfloorinc.com, they will reach upper management and founders & will be handled appropriately.

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5700 Wilshire Blvd. Suite 650
Los Angeles, CA 90036

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The Third Floor · 5700 Wilshire Blvd. · Suite 650 · Los Angeles, CA 90036 · USA

From glorious villains to rising heroes.. From steadfast quests to shifting realities..visualization is in the house! Step into a world of storytelling and innovation as we showcase our latest visualizations and collaborations in our 2024 Company Reel!

We’re excited to share our latest reel for Season 2 of House of the Dragon! From epic dragon battles to the intricate world of Westeros, we loved to help bring these scenes to life. If you haven’t yet – see it all unfold on HBO!

Buckle up for another adventure with your favorite space squad! Check out our latest reel for Guardians of the Galaxy Vol. 3, packed with previs, postvis, and techvis. Dive into the galaxy here:

Discover how The Third Floor helped bring Daft Punk’s “Infinity Repeating” music video to life! Visualization Supervisor Sophia Yu used previs to perfect the timing and camera movements for this single-shot video, featuring orbiting shots and speed transitions. Check it out!

Check out our visualization highlights from House of the Dragon Season 1 to see how we brought dragons to life!

In a thrilling scene from Halo Season 2, the Spartans set out to investigate a weak signal coming from a tower perched atop a cliff. Master Chief and Riz sprint from a nearby village to the cliffs, using their grappling hooks to climb up, while Vannak and Kai observe from a distance through Kai’s sniper scope. Due to limited time for on-location filming, filmmakers relied on The Third Floor’s previsualization to determine what needed to be shot on location and what could be filmed on a soundstage with green screens. Stream it on Paramount+!

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